
Just a little heads-up, due to some critical electrical systems maintenance at our data center, CameraPorn.net will be down for a couple hours tonight starting at around 9:30PM Pacific time.
And as a side note, some of you may have noticed some scary viagra and cialis links in our blogroll this morning. Apparently the version of wordpress we are running was slightly out of date, and had a little security hole. This has been fixed and shouldn’t happen again.

Ryan has already written up some tips for taking concert shots. Over the second half of this year, I’ve had the opportunity to shoot at a bunch of shows so I thought I would also weigh in with some of the things that I’ve managed to figure out so far. I concur with him that it’s an interesting kind of challenge. You’re in very low light, and if you’re shooting rock shows as I have been, the subjects are typically moving pretty fast. So, without further delay, here are some pointers that you may find useful if you’re in a similar situation.
Continue reading ‘More Thoughts on Concert Photography’

Happy Eel. Shedd Aquarium, Chicago Canon EOS 30D + 24-70 f/2.8 L | 1/60 | f/2.8 | 70mm | ISO 800
In an effort to bring you guys more posts, this is the first of our new “Quick Tips” category, where we will briefly go through some tried and true methods for different types of photography and share some good old photo porn. Get the tips and photos after the jump…
Continue reading ‘6 Tips for Bulletproof Aquarium Photography’

Photo Credit: Kozumel(cc)
Tomorrow night I’ll be hoppin’ on a redeye to the beautiful but humid Cartagena, Colombia for a friends wedding. Cartagena is a beach-side resort town on the Caribbean, rich in history and architecture.
I expect to do a good amount of shooting, but I’ve decided to travel light for once, and I’m trying to get the biggest impact in the smallest footprint. Here’s what I’m bringing:
…and thats it! Pretty good considering I usually bring 4 to 5 lenses and a myriad of accessories. Wish me luck and hope I don’t get kidnapped!

If you are like me, and your camera comes with you nearly everywhere, and isn’t always in a soft cushy case, doing what you can to protect it is important. Though today’s DSLRs tend to be relatively rugged when it comes to build quality, with magnesium or aluminum alloy bodies coated with rubber, especially from the pro-sumer level up, The LCDs are the largest chink in the armor. LCDs are notoriously prone to scratches and dings, but can be protected very simply and inexpensively.
There are several options available for LCD protection, some cumbersome, some ridiculous and one that is ideal. Read about it after the jump…
Continue reading ‘How do you protect your camera’s LCD?’

No, your eyes aren’t playing tricks on you. What you see above is Nikon gear and a LOT of it, courtesy of a friend (thanks Scott!) who had the whole kit basically sitting in a closet collecting dust. Yes, I know, sacreligious to let this much gear to sit idle, so your friends at CameraPorn have come to the rescue! Kit breakdown after the jump…
Continue reading ‘Nikon Gear CameraPorn? Hell Must Have Frozen Over…’
The Before

Lonely Bird - Before^
Brian Auer of Epic Edits recently posted a new project challenging his readers to post-process one of his photos, shown without post-processing above. Though I generally tend to sit back and watch rather than participate in blog projects, I decided to jump headfirst into this one because of the enjoyment I get from post-processing images in Adobe Photoshop Lightroom, and to support Brian and his excellent photographry blog. I used Lightroom exclusively for the processing, and I’m pretty happy with how it turned out.
The After

Lonely Bird - ^After
For me, the big challenge to process this image was the washed-out colors and lack of contrast. To work with washed out colors, I originally tried to work with them, adjusting saturation and luminance, but I was not satisfied with the results I was getting. I decided to take another approach by using Lightroom’s grayscale conversion first. From there, the image was still seriously lacking in contrast. To work with that I used several adjustments including tweaks to Recovery, Fill Light and Blacks. At this point the image still wasn’t where i wanted it. I then used Lightroom’s targeted curves adjustment (ctrl+alt+shift+t on a pc or command+option+shift+t on a mac). I placed the target on the middle of the sky and dragged upwards, which increased the Lights within the Tone Curve Adjustment module to add contrast by brightening the sky.
At this point, I was fairly happy with the image’s overall contrast, but I felt it was still lacking a bit. I then used the Lens Correction tools within Lightroom to add a slight vignette to draw the eye into the picture, specifically where the bird is looking and there we were, basically done. I finished by straightening the horizon, applying mild sharpening and cloning out the buoys floating in the water.
Read Epic Edit’s “PHOTOGRAPHY PROJECT: Edit My Photo”
So my first participation in a blog project on the books. I’d love to hear what you all think of the retouching job as well as your opinions on blog projects. Until next time…

As you all can tell from the previous post, I shot the moon last night, well not just the moon but a total lunar eclipse. It was a late night, and a long, tired day at work today, but it was worth the loss of sleep to shoot a rarely available subject, the eclipsed moon. The following explains the methods, settings and gear I used for the shoot and some general tips for moon and night sky photography.
Since there are probably hundreds of sites out there explaining moon photoography, I’ll keep this part as short as possible
. The single most important thing to think about when ’shooting the moon’ is camera stability. Without a completely stable camera, your shots will come out blurry and unimpressive, but with a few simple tools that should already be in your kit, and a some basic methods, getting sharp moon images is actually quite simple. The tools you will need aside from Your DSLR:
Essential Gear
- A sturdy tripod
A staple to any DSLR kit, and required for stable night photography at low ISO speeds. Try to get one with a quick-release and adjustable head. (I use a Bogen Manfrotto 30001N Tripod with 804RC2 3-way pan/tilt head.Shop for yours on Amazon
)
- A shutter release cable
Imperative to eliminate camera shake when the shutter button is pressed, but you could use the self-timer in a pinch.(wired or wireless - I use the off-brand Dot Line variety and it works great, but make sure you get one with a bulb exposure option. Shop for yours on Amazon
)
- A telephoto lens
A zoom or prime, but for the moon I suggest a minimum zoom of 300mm.
(I use the inexpensive Canon EF 75-300 f/4-5.6. Shop for yours on Amazon
)
- A camera with "mirror-lockup" funtionality
This one isn’t absolutely required, but it does eliminate any mirror/shutter movement related camera vibrations and ensure maximum stability.
So you have the gear together, now comes the fun part…
Continue reading ‘Shooting the Moon: How I Shot The Lunar Eclipse and Tips For Better Moon Photography’